Monday, December 17, 2012

ඹබේ ලොවේ සරසන්න

පවසන්න, පවසන්න
මුදු වදන් පවසන්න
සරසන්න, සරසන්න
මුවභසින් සරසන්න

හිස් වදන්, බොළඳ බස්
නොකියාම සැනසෙන්න
ඹබ ලොවේ හසරලින්
මගෙ ලොවත් සරසන්න

ආදරය, කරැණාව
ඹබ ගෙලේ පළඳන්න
සත් සිතින් මෙත් ගුණය
පුරා සිත වපුරන්න

සොබා දම් මවුන් කුස
තුරැලු වී නිදියන්න
අවදියෙන් විමසියෙන්
හැම දෙයම දැක ගන්න

සරන මග, සරසන්න
සිත් සතන් සනසන්න
මගෙ දුවේ, ඹබ ලොවේ
හැමදාම රජ වන්න.

රෙන්ටන් ද අල්විස්ගෙ පබැඳුමක්
2012 දෙසැම්බර් මස 17 වන සඳුඳා කිවුල කිවසෙදි


 
 
 
 
 
 
 

 
සමන්ති දුවයි, මේනක දුවයි
 

Sunday, December 16, 2012

A traveller's Tale

By Renton de Alwis
 
 
Pix by Luxshmanan Nadaraja 

An invited contribution made to the coffee table book “Sri Pada – A Peak Heritage of Sri Lanka” in 2011, with photographs by Luxshmanan Nadaraja, editied by Ambassador Sarala Fernando.


“Vandinna yana me nadeta Sumana Saman Devi Pihitai
Vandala Bahina me nadeta Buddhan Sarane saranai”

This verse in Sinhala, echo in my mind whenever I think of Sri Pada and the first ever pilgrimage I made there. Seeing those beautiful images of the peak triggers the same memory. Its meaning “Those of you who ascent… may you have the protection of Lord Saman, and those on the decent… may you be blessed with the enlightened teachings of the Buddha”. Lord Saman is the guardian deity under whose charge this peak and the surrounding wilderness area is said to have been placed by the Gods.

I have climbed the peak eleven different times since and twice on different routes. My first ascent was as a school boy of seven, accompanied by my father and mother and a few family friends. My late father was a railwayman. We, a family of modest middle-class means thankfully had warrants (passes), to travel in the comfort of the observation salon car, as it was called then, on the ‘Uderata Menike’. It is even today, the regular daily train that plies Colombo to Badulla on the hill-country route. We got off at Hatton, walked a bit around and took a bus to Dalhousie via Maskeliya. Our climb began passing the Delhousie estate, a lush tea garden and it was dusk. I recall seeing the shadowy peak far up-ahead as we traversed through the estate workers’ line-houses.

My late mother, a simple housewife was somewhat overweight and slow. I still remain amazed at her intensity of purpose and level of devotion, whenever she was on a pilgrimage to Sri Pada. I guess it was her determination and the faith of worship that made her ignore the travails of the climb, when she kept pace with us most of the time. The way up then, was not well-defined, as it is now. Ascent and decent both, was tough and rough.

There were times when in my childhood excitement, I ran ahead of them and stood by holding on to the rails of the path until they caught up with me. She was still singing along and prompted me to join her. That was I guess her way of getting me to realise, that this was no ordinary journey. It was only years later that I realised that it indeed was, for her and many others like her, a deep meditative exercise of devotion and purpose.  

I recall her loud chorus; mine and my father’s after her, joining others who sang along the many other verses. I also recall today, after a little over five and half decades, what I felt of that first attempt at climbing. It was what I would in my wisdom today; call a total immersion social event. It was more than a pilgrimage or a purposeful journey to get from here to there. We, the pilgrims all bonded together in a momentary bondage as we passed each other. We were one family, sons and daughters of one nation. The young, old, weak and strong; we were one.

I saw a son carry someone else’s mother. An old man help carry a child. The feeble were carried on chairs and disabled were on crutches, often with another by the side to assist. It was one chant, one melody and a single intent. We were one with each other; purposeful, determined, sharing and caring.

Some of the younger pilgrims had their own verse. I am though yet to make any sense of what and why they sang it.

“Aggala kan dông putha … Hele nagin dông putha”

It simply meant;” Let us eat Aggala (a Sri Lankan sweetmeat delicacy) my son … let us climb the precipice”. I am yet to find the meaning of the adjective ‘dông’ before ‘son’. Perhaps it was to reflect the explosive nature of youth.

My mother had taught me that this peak was special. It was where the Buddha visited on his third and the final legendary visits to Sri Lanka. I was amazed and inquired innocently as to how he could have done such a feat. She explained to me the nature of the mind power of an arahath (one who has attained enlightenment) which made it possible for that person to transpose oneself, as if the person was a light aircraft. I wondered then, if ever I could do that feat and told her that. In her mild manner she said “one needs to follow the middle path in life, give up all greed and meditate to get there”.
One of my teachers in school in a lesson later told us that the Venetian Marco Polo (1254-1324) and the Arab Ibn Batuta (1304-1368) had visited what they called Adam’s Peak. In ancient times too he said, Sri Pada was a mystic pilgrimage destination. He also said that it was not only the Buddhists, but the Hindus, Muslims and Christians, all considered the peak a holy site. That made me proud and I boastfully said in class that I had been to the peak not once but twice by then. I was elated to learn that there was only one other among my classmates, who had equaled my feat.
On my later climbs, and they were no longer pure pilgrimages, I was amazed at the change I saw each time. On about the ninth, I observed how some had turned what was to my mother, an exploration of meditation and purpose into a mere joyful picnic. There were loud bursts of music from the CD and other sound devices some were carrying. That drowned the voices of the pilgrims’ chants that I heard so loud and clear on my maiden ascent several decades before. The echo on the mountain terrain was not of a uniform chorus, as it had been, but a muddle of noises and sounds. There was no way now, I could listen to those sounds and its uniform echo, as I had done before.

There were well laid steps and well laid signs calling for people to do good and not pollute this holy land, though with an advertiser’s tag attached. My childhood memory no longer matched the reality of the modern experience. It was indeed different. Perhaps the innocent devotion of the likes of my mother no longer exists.

The first glow of the morning sun or the ‘Ira Sevaya’ began. It was the same sun we saw, with the same glow.  It laid a shadow of Sri Pada on the other side of the range as I had seen then. The bells of the temple rang and the chorus of the worshippers of ‘Sadu, Sadu, Sadu’ echoed all around the peak. Thankfully, much had not changed of that moment, from what I experienced on that first ascent of mine.

It was a relief to realise that we as a nation, have retained some of what, I was afraid, we had lost in full. There is indeed hope and I want to join the chorus of pilgrims, to once again sing …

“Vandinna yana me nadeta Sumana Saman Devi Pihitai
Vandala Bahina me nadeta Buddhan Sarane saranai”

 

Saturday, December 15, 2012

Duwa ... Love you for your caring and the love you share...


Thank you Susima, another one of your achievements. It was your courage that gave such resolve to our daughters to be the caring and loving beings they are.
 
Thank you Bhartha, for always being there for Samanthi and seeing her through. A good part of this belongs to you.
 
Thank you Menaka for loving your sister and caring for her even when she annoyed you.

Thank you Nick for bringing us lots of love.




පොල්කිච්චෝ

Pix credit: Hazrul Abdul Halim

 










 

පොල්කිච්චෙක්
වැට උඩ හිඳ,
මා දිහාව
බලා උන්න...

‘වන් ෆො සොරෝ’

නැගී ආවා
මගෙ සිහියට,
හුදකලාව
සිටි දිනයක,
ඈත, එපිට,
සිටි,
ඇය පිළිබඳ
මා,
සිහි කල සැටි ...

ඒ එක්කම
තවත් එකෙක්
ඔයා ලඟට
පියාඹලා,
ඒ අත්තෙම
ජෝඩු වුනා ...

‘ටූ ෆො ජෝයි’

නැගී ආවා
මගෙ මතකෙට
මායි මගේ
සොඳුරැ ඇයයි,
ඉස්සර කාලේ
දවසක
හුදකලාවෙ
පටල ඉරා,
සතුටෙ කඳුලු
උතුරපු හැටි ...


තව ටිකකින්
තවත් එකෙක් ...
ගාම්භීර
පෙනුමක් ඇති,
තරමක් වයසැති
ඇත්තෙක්,
අත්තෙ කොණක
වාඩි වුනා ...

‘ත්‍රී ෆො අ මැරේජ්’

රෙජිස්ත්‍රාර රාළහාමි
වන්නට ඇති
තුන්වෙනියා ...

අපි දෙන්නා
බඳින දාට,
එවනව අපි
කාඩ් එකක්,

එන්න ඕන
ඕන කමින්,
ඉඳිනෙමු අපි
මග බලාන ...

හිටියොත්,
දරැවෙක්
ඔහෙලට,
එක්ක එන්න
ඕන එයත් ...
 
1968 දි ලියා, 1974 දී විමල් දිසානායක හා සුනිල් ආරියරත්නයන් සංස්කරණය කල “විදුලකර කවි” පොතෙහි පලවු රෙන්ටන් ද අල්විස්ගෙ පබැඳුමක්, 2012 දෙසැම්බර් මස 14 වන සිකුරාදා, නැවත මතකය අවදි කර, සකසන ලදී. මේ පබැඳුම ඹහුගේ පාසල් වියේදී කියවූ බවත්, එහි සමහර පද වැල් තම මතකයේ තවමත් රඳා ඇති බවත් පවසා, සමහර පද වැල් මතක් කරදී, මහට අහිංසක, සංවේදී සතුටක් ගෙන ආ, පසුගිය දිනක මට අහම්ඹෙන් හමුවූ, ප්‍රවීන ගේය පද රචක රත්න ශ්‍රී විජේසිංහයන් හට මගේ බැතිබර ස්තුතිය. මා මේ පද වැල දෙස නැවත සිත යොමු කළේ ඒ සිද්දිය නියාවෙනි.

Friday, December 14, 2012

Of fairness and the fair


As an observer of what’s currently happening around us in Sri Lanka, I was reminded of how Bertolt Bretch the creator of ‘The Caucasian Chalk Circle”, took on presenting his rascal of a Judge Azdak to us. English translation from the original German by Eric Bentley.

Late Henry Jayasena playing Azdak 













“All mankind should love each other
But bring an ax when you talk to your brother
What miracles of preaching
A good sharp blade can do
His honor of the high court knew
And understood it too!


When the sharks the sharks devour
Little fish will have their hour
Tis fishy to fix the scales of power
Thankfully, he's in the ivory tower
The poor man's magistrate…
Who's the man to seal your fate
The one, the only potentate
Who's the wise? Who's the great?
Who Can it be? Who can it be?
Azdak!”

Thursday, December 13, 2012

අප පැරණි තාක්ෂණයෙ වටිනාකම














මේ ලඟදි දවසක, මං ගොඩ වුනා නගරයෙ, අපේය කියලා කියන දේ අලවි කරන ලක්සලකට. එතන, එක රාක්කයක විකුනන්න තිබුනා අපි, දැන් නැතුවට ඒ කාලෙ හොදි ව්‍යාන්ඡන හැඳි ගාන්න, බත් බෙදන්න හෙම පාවිච්චි කරපු පොල් කටු හැඳි. ඒවා හැඩට, ඔප දමලා හදලා තිබුනා.

ටිකක් ලංවෙලා බැලුවම තමයි, මම දැක්කෙ ඒවා අපේ අම්මලා, ආච්චිලා හොදි හැඳි ගාන්න බාවිතා කරපු ඒවට වඩා වෙනස් බව. ඒවා ඇහැට හොඳට පෙනුන හින්ද මං ඒ වෙලාවෙ, ඒක ගැන එච්චර හිතන්නෙ නැතුව, දුසිම් බාගයක් මිළට ගත්තා.

ඊට පස්සෙ තමයි මට මතක් වුනෙ, මේ හැඳි අපේ ගෙදර අපි පුංචි කාලෙ, අපෙ අම්මලා බාවිතා කළ ඒවට වඩා වෙනස් බව. ඒ මතකයට හේතුව, අම්මා දවසක් අපි කාලා ඉවර වුනාට පස්සෙ, කුස්සියෙදි කරනව මං දුටුව වැඩක්. ඈ පොල්කටු හැන්දක් සෝදන කොට හැන්දෙ මිට, පොල් කටුවෙ ‘ඇස්’ දෙක කියලා අපි දන්න, ඒ හැන්දෙ පාදලා හදලා තිබුන සිදුරැ දෙකෙන් මුදවලා එලියට අරගෙන,  ඒ කොටස් දෙක වෙන වෙනම හොඳ පිරිසිදුවට හෝද ගත්ත හැටි තමයි මට මතක් වුනෙ.

මං දැන් මිළට ගත්ත ලස්සන හැඳි හදලා තිබුනෙ යකඩ ඇණ ගහල. ඒවා වෙන් වෙන්න ගලවලා හෝදන්න ක්‍රමයක් නැහැ. හැන්දයි, මිටයි අතර කොටසෙ රැඳෙන අහාර කොටස්, විස බීඡ අරන් දාන්න, දැන් පෙණදාන, රසායන දියරයක් දාලා පණ යනකන් හෝදන්න ඹ්න.

ඹන්න දැන් හිතලා බලන්න නවීකරනය කියලා, අප, අපේ පැරණි සරල තාක්ෂණයෙන් බැහැර වෙලා, කරගෙන තියන අහේනියක තරම.  

අපේ කෘෂිකර්මයෙ, කර්මාන්තවල තිබුන තිරසාර ක්‍රමවිධි ගැන සොයන්න, ඒවයෙ ගුණ අගයන්න දැන් සමහරැන් කරන වෑයම අප අගයන්න ඕන.

Nepotism

 

“Kage Kauwda?
Gama Koheda?
Eya, Meya, Areya;
Oyata, Kauwrun Wenawada?"

I sat still … amazed,
disgusted.
The truth is,
I knew,
the answers.

Yet,
I didn’t care
to know.
I never dared to remember.

I loved
my ‘Amma and Thatha’.
Heard
of my Seeya and Aacchi.
in my childhood.

They are,
or were,
but
now,
long gone.

Met
my cousins,
a few other relatives,
and Loku Amma,
clan’s matchmaker,
who,
then amused me with her,
tales,
of the whose-who’s …

and

Sudu Nenda.
She often came
to see me
with a bag of Kirala.

I moved on in life.
Loved them all,
never, carried
them,
on my back.

Until,
this day,
when,
I sat across,
this round table,
at the
wedding of my friend,
with the socialites,
in their
Sunday best,
dolled up,
smelling
of incense like perfume,
chose
to inquire.
Play God,
to stand
in judgement,
if I,
should be offered,
involuntary,
honorary membership
of their CLUB.

I chose
to sprint away,
away,
away from it all,
in my mind’s eye,
to be free,
be freed,
from the shackle
of their chains.

For,
what matters,
is not,
whose-who, I am,   
but
who, I am. 


Written by Renton de Alwis in June 2009

Foot notes:
Opening stanzas in Sinhala - "From which village are you? Whose who are you? So and so and so and so; How are they related to you?"
Amma , Thatha - Mother and Father
Seeya, Achchi - Grand father and Grand mother
Kirala - A fruit (mangrove) that grows in abundance at the edge of lagoons and/or close to river mouths 

Wednesday, December 12, 2012

අන්ධ විය නොහැක මට ...


ඹබ
රජකු යයි

මට කිව භැක.
කියා ඹබ
සැනසිය භැක.

සනසා ඹබ
ඇන්දවිය භැක.


ඹබ
භිස් දෙස්පලුවෙකු

යැයි මට කිව භැක.


කියා
ඹබ
උරන කල භැක.

එද,
එසේ නොකරමි
මම.

මන්ද,
ඹබට,
මට වඩා,
මගෙ රටට,
මගෙ දැයට,
ආදරය දැඩි බැවිනි.
 
ඒ නියා,
හඟිමි මම,
ඹබ,
අප
,
අන් බොහෝ 
දෙනෙකු වන්,
ප්‍රෘතඥන
මිනිසකු බව.


රෙන්ටන් ද අල්විස්ගෙ පබැඳුමක්
2012 දෙසැම්බර් මස 12 වැනි බදාදා

Yo-Yo (of love and lovers)


Now on ground,
now on palm.
Yo-yo bounce,
up and down.

On the wall,
on the ground.

Feeling up,
feeling down.
Bouncing up,
bouncing down.

What was right,
now is wrong.

What is right?
What is wrong?

Laughter now,
wet eyes soon.

You good soul,
keep that smile.

In your eyes,
pain and hurt,
spite and might.

But why?

I feel and I know,
how like a yo-yo,
you’ll bounce back.

To take me on,
another time,
another day.

I must keep
my smile on,
swallow the hurt,
bite my teeth.

Hear no evil,
speak no evil,
make it work.

Feel the music
of yearning love,
in my heart
and my soul. 

No matter what,
YOU and only you,
are my Yo-Yo.

 
Renton de Alwis
May 2009